BGH Air conditioners – Big Noses

BGH in Argentina is promoting its new line of silent air conditioners with “Big Nose”, an integrated advertising campaign offering 25 percent discounts to people with big noses. The new line, with 5 stages of filtered air, was considered to be most helpful to people with big noses. The company worked with Del Campo Nazca Saatchi & Saatchi to create the nose-o-meter, an in-store device capable of measuring noses. If your nose touches the sensor, an alarm goes off and you win the discount. At bignosebgh.com online visitors can upload their profile picture, in order to find out if their nose has the chance to win. The site indicates where shoppers can find the nearest nose-o-meter and includes a gallery of noteworthy big noses.

Case History

Brief
The brand BGH wanted to launch its new line of Air Conditioners with 5 air filtering stages. In other words, the Air Conditioner units that provide the purest air of all. The objective was to generate a promotion which generated an answer of the target.
Idea
For the launch of BGH’s line of Air Conditioners we decided to help those who need pure air most: BIG NOSES.
That’s why if you had a Big Nose, BGH gave you a 25% discount. We created: The Nose-O-Meter. A device capable of measuring the length of a nose.
If your nose reached the sensor, the siren went off and you won the discount.
The Campaign was launched on TV, Web and Print. The communication directed the target to the retail stores where the Nose-O-Meters were installed. And there, the people could participate and make their discount effective.

At bignosebgh.com online visitors can upload their profile picture, in order to find out if their nose has the chance to win. The site indicates where shoppers can find the nearest nose-o-meter and includes a gallery of noteworthy big noses.
1 The big noses uploaded their profile picture.
2 A software measured the size of the nose.
3 If the measure was successful
4 The system directed you to the nearest Nose-O-Meter

Results
BGH Big Noses turned a boring Air Conditioners campaign into an entertaining promotion that combined brand experience, point of sale and discounts.
And of course its disruptive character put the campaign on everyone’s mouth.
– Thousands of noses were put to test
– 500 clients won 25% off.
– The PR amplified the media broadcast of the campaign as it transformed in the main theme of the most important media.
– And we had one of the most important sports celebrity for free. The famous NBA player Manu Ginobili tweeted about the campaign joking on the size of his nose and the discount he would win.
– The brand preference increased

Advertising Agency: Del Campo Nazca Saatchi & Saatchi
Executive Creative Directors: Maxi Itzkoff, Mariano Serkin
Creative Directors: Diego Medvedocky, Ignacio Ferioli
Head of Art: Guido Fusetti
Production Company: Peluca Films
Director: Diego y Vlady
Music: Happy Together
Postproduction Company: Che Revolution Post


Coca-Cola (1998/2010) – Modern Print Ads

Coca-Cola Italia – BLIND BOTTLE


Advertising Agency: Leo Burnett, Milan
Creative Director: Fabrizio Russo
Copywriter: Maria Paola di Stefano
Art Director:Sandro Olivieri
Photographer: Studio Neon
Year: 1998

Coca-Cola Classic – SEALS/PENGUIN



Advertising Agency: Publicis Conseil
Creative Director: Olivier Desmettre
Art Director: Fabrice Delacourt
Photographer: Jeal-Noel Leblanc Bontemps
Year: 1999

Coca-Cola Brazil – TRUCK/HYDRANT



Advertising Agency: McCann Erikson Brazil
Creative Director: Luiz Nogueira
Copywriter: Monica Maligo
Art Director: Jose Luiz Vaz
Photographer: Mauro Risch
Year: 1999

Coca-Cola India – BARCODE


Advertising Agency: Leo Burnett India
Creative Director: KV Sridhar
Art Director:KV Sridhar
Year: 1999

Coca-Cola India – GLASSES


Advertising Agency: Leo Burnett India
Creative Director: Agnello Dias
Copywriter: SM Talha
Art Director: Vijay Kartik
Photographer: Prased Naik
Year: 2001

Coca-Cola New Zealand – ENJOY Campaign




Advertising Agency: Publicis Mojo, New Zealand
Creative Director: Laclhan Mcpherson
Copywriter: Seymour Pope
Art Director: Laclhan Mcpherson
Photographer/Illustrator: Kane Mcpherson/Mike Shepherd
Year: 2001

Coca-Cola Spain – FISH TANK/NEW HOUSE



Advertising Agency: El Laboratorio, Spain
Creative Director: Carlos Holemans/Eduard  Farran
Art Director: Armanda Carbonell
Photographer: Sara Zorraquino
Year: 2002

Coca-Cola Poland – BOOKSHELF/PENCIL



Advertising Agency: McCann Erickson Polska
Creative Director: Damir Brajdic
Copywriter: Katarzyna Orseszek-Korobleuska
Art Director: Arkadiusz Pawlik
Photographer: Jacek Wotowski
Year: 2003

Coca-Cola India – BARBER SHOP/MAN IN THE SHADOW

In India, the word ‘Thanda’ has many meanings. It means ‘cool’, ‘cold’, as well as ‘refreshing’. Any refreshing drink, including soft drinks are also referred to as ‘thanda’. Guests are asked whether they would prefer coffee, tea or ‘thanda’ (something cool and refreshing). Therefore the headline in Hindi (the local language) means “Cool Means Coca-Cola”.


Advertising Agency: McCann Erickson India
Creative Director: Prasoon Joshi
Copywriter: Prasoon Joshi
Art Director: Akshay Kapnadak
Photographer: Altaf Khan
Year: 2003
Gold Lion for the campaign

Coca-Cola India – REFRESHING WIND/REFRESHING BATH/REFRESHING RADIATOR




Advertising Agency: McCann Erickson India
Creative Director: Prasoon Joshi
Copywriter: Prasoon Joshi
Art Director: Akshay Kapnadak
Photographer: Altaf Khan
Year: 2004

Coca-Cola Italia – BOTTLE/KISS



Advertising Agency: McCann Erickson Milan
Creative Director: Alessandro Canale
Copywriter: Valerio Delle Foglie
Art Director: Antonio Mele
Photographer: Marco Ambrosi
Year: 2004

Coca-Cola UK – THE REAL WORLD OF COCA-COLA Campaign






Advertising Agency: Mother, London
Creative Director: Robert Saville/Mark Waites
Copywriter: Yan Elliot
Art Director: Luke Williamson
Typographer: Stephen Allen
Year: 2004

Coca-Cola de Argentina – FACES


Advertising Agency: McCann Erikson Argentina
Creative Director: Martin Mercado/Esteban Pigni
Copywriter: Pablo Romano/Martin Mercado/Esteban Pigni
Art Director: Christian Maselli/Diego Tuya/Denise Rodman
Photographer: Charlie Mainardi
Year: 2004

Coca-Cola, Germany – BLACK


Advertising Agency: Springer & Jacoby, Hamburg
Creative Director: Till Hohmann/Axel Thomsen/Bettina Olf
Copywriter: Birgit Bouer/Florian Kahler
Art Director: Jan Blumentritt
Year: 2005

Coca-Cola, Germany – THOUGHT/DREAM/IDEA


Headline: When a thought stays just a thought nothing changes.

Headline: Live your dream, don’t dream your life.

Headline: When an idea remains merely an n idea nothing changes.

Advertising Agency: Springer & Jacoby, Hamburg
Creative Director: Till Hohmann/Axel Thomsen/Bettina Olf
Copywriter: Menno Kluin
Art Director: Menno Kluin
Year: 2005

Coca-Cola Spain – CLOUDS/SHAME



Advertising Agency: McCann Erikson, Madrid
Creative Director: Marcos Garcia
Copywriter: Marcos Maggi
Art Director: Marcela Augustowsky
Illustrator: Genevive Glaucker
Year: 2005

Coca-Cola Spain – MANDALA/MOON/WAVE




Advertising Agency: McCann Erikson, Madrid
Creative Director: Marcos Garcia
Copywriter: David Moure/Pablo Castellano
Art Director: Javier Wandosell
Illustrator: Javier Wandosell
Year: 2005

Coca-Cola Philippines – VALENTINES


Advertising Agency: McCann Erikson Philippines
Creative Director: Peter Acuna/Carlo Directo/Micky Domingo
Copywriter: Lisa Kahn
Art Director: Che Soriano
Photographer: Jeanne Young
Year: 2005

Coca-Cola Japan – Coke, Please Campaign




Advertising Agency: Dentsu, Tokyo
Creative Director: Tohru Tanaka
Copywriter: Hirokazu Ueda/Satoshi Hanai
Art Director: Kengo Kato
Photographer: Shu Akashi
Year: 2007

Coca-Cola Pacific – SURFER

Advertising Agency: Ogilvy & Mather, Singapore
Creative Director: Sanol Dabral
Copywriter: Neil Flory
Art Director: Alan Vladusic
Year: 2007

Coca-Cola New Zealand – SUMMER AS IT SHOULD BE



Advertising Agency: Publicis Mojo, Auckland
Creative Director: Nick Worthington
Copywriter: Guy Denniston
Art Director: Emmanuel Bougnerers
Year: 2007

Coke Side of Life Campaign – LIQUID SPLASH/COLOUR SPLASH/GUNS/TOGETHER/STRAWS/RAINBOW HAND






Advertising Agency: Wieden+Kennedy, Amsterdam
Executive Creative Director: Al Moseley/John Norman
Creative Director: Rick Condos/Hunter Hindman
Copywriter: Rick Condos/Giles Montgomery
Art Director: Hunter Hindman
Illustrator: Dave Fikkert/Pierre Janneau/Genevieve Gauckler/Spencer Wilson
Year: 2007

Coke Side of Life – COCA-COLA ART GALLERY

In 2006, Wieden+Kennedy Amsterdam has commissioned artists and collectives from around the world to create experimental work for the global “The Coke Side of Life” campaign. The result is a range of original artworks by emerging image-makers as different as Catalina Estrada, Geneviève Gauckler or the Peepshow Collective, … many of whom have gone on to make strong impacts in today’s graphic design & art scene.
The ‘Coca-Cola’ Art Gallery is a collection of images that has been designed by leading artists and designers. They have all depicted their own interpretation of ‘The Coke Side of Life’ philosophy.
The work of the artists reflects various styles, personalities and cultures, and all designs have one thing in common: they are colourful explosions of energy, optimism and happiness.
Throughout its 120-year history, advertising and communication has played a vital role in shaping ‘Coca-Cola’ into an iconic, cultural and timeless brand. Over the years, ‘Coca-Cola’ has continually challenged artists and agencies to create innovative refreshing images.
The diverse backgrounds of the contributing artists and designers, has resulted in a range of images that reflect different cultures and societies. By combining the iconic original glass bottle image with up-to-date illustration techniques and styles, the artists have given rise to a progressive style of visual expression.
‘Coca-Cola’ has always had a strong artistic heritage having been famously interpreted by artists such as Haddon Sundblom, Norman Rockwell and Andy Warhol who have all reflected the social and cultural attitudes of the time.

Live the Coke Side of the Music – VIOLIN/FACES/INSTRUMENTS




Advertising Agency: JWT Brazil
Creative Director:Richardo Chester/Roberto Fernandez
Art Director: Roberto Fernandez
Illustrator: Roberto Fernandez
Year: 2007

Coca-Cola  – CREATED IN 1886

After years of cool marketing campaigns revolving around football, music and latterly computer gaming, the world’s most famous brand is going back to basics. Coca-Cola has been communicating about its product, what’s in it “Nothing artificial. Never had been, never will be” and the product heritage, dating back to 1886 when John Pemberton created his secret formula.

Advertising Agency: Weiden+Kennedy, Portland
Year: 2008

Open Happiness Campaign – BRRR/AHHH/BURP/FIZZZ/PSSST/GULP

“Open Happiness”is an advertising focus building on the award-winning “Coke Side of Life” campaign. The new tag line, seen in this series of print advertisements, will serve as a platform for all integrated marketing for the Coca Cola brand around the world, tying together the pleasure of opening up a drink and the satisfaction of sharing with others. Open Happiness is designed to work at every level, from national advertising all the way down to coolers and store shelves, with a clear call to action at the point of purchase.”






Advertising Agency: Wieden+Kennedy, Amsterdam
Executive Creative Director: Jeff Kling/John Norman
Creative Director: Jorge Calleja/Sue Anderson
Copywriter: Sue nderson
Art Director: Craig Williams/Pierre Janneau
Illustrator: Pierre Janneau
Year: 2009

Open Happines Campaign from Coca-Cola Pacific – BURP/LAUGH LINE/SMILE

This poster campaign introduce Coca-Cola’s new Open Happiness platform to a relatively young audience — locally.
These “bottles” executed in a breezy manner bring out the full flavour of the Open Happiness campaign. The light-hearted messages in the shape of iconic Coke bottles invite the audience “to open happiness” — even without overt Coke branding.



Advertising Agency: Euro RSCG, Singapore
Creative Director: Alfred Wee
Copywriter: Wong Wai Ling
Art Director: Jimmy Kim/Seah Ting Ting
Illustrator: Evan Lim
Year: 2010


Axe, Rexona, Impulse: The VegaOlmosPonce Effect

Axe Deodorant – MOON
An astronaut who has just landed on the moon is pursued by a beautiful woman. The power of Axe.
Creative Director: Fernando Vega Olmos
Copywriter: Hernan Gonzales
Art Director: Hernan Damilano
Production Company: Cinetauro Producciones Cinematograficas, Argentina
Director: Jojo & Bosco
Year: 2000

Axe Deodorant – JUSTICE OF THE PEACE
After her wedding, a bride finds herself under attack from her girlfriends who pelt her with rice. The power of Axe.
Creative Director: Fernando Vega Olmos
Copywriter: Hernan Gonzales
Art Director: Hernan Damilano
Production Company: Cinetauro Producciones Cinematograficas, Argentina
Director: Jojo & Bosco
Year: 200o
Silver Lion

Axe Deodorant – METAMORPHOSIS
Axe Boy gets bitten by a mosquito, then the new Axe fragrance gets passed from one character to another.
Creative Director: Hernan Ponce/Gustavo Taretto/Gabriel Vasquez
Copywriter: Pablo Minces
Art Director: Norberto Vatrano
Production Company: The Gang Films, Argentina
Director: Laurence Dunmore
Music: Love is in the air
Year: 2002
Golden Lion

Axe Body Spray – COAT STAND
A young guy sprays lots of Axe to his coat stand. A girl is reading a magazine, paying no attention to him. The girl starts dancing sensually, in an erotic way around the coatstand. The guy is lying on bed, enjoying the show. Then he sprays Axe over his chest.
Creative Director: Hernan Ponce/Hernan Jauregui/Pablo Batlle
Copywriter: Mario Crudele
Art Director: Martin Ponce
Production Company: La Doble A, Argentina
Director: Armando Bo
Year: 2003
Silver Lion

Rexona Deodorant for men – ROUND/CHEERLEADERS/ODALISQUE
A very tightly dressed man wearing girl’s sexy clothes comes in a box-ring showing the board with the number of the round up in the air. Then, the umpire, the boxwer’s assistant and even the boxer, begin to smell the terrible stench this guy emanates when he passes them by.
In a Basketball stadium five very masculine guys are dressed like cheerleaders. The choreography is perfect and their movements are synchronised. The spectators seem to enjoy the show when suddenly they begin to smell an awful perspiration odour emanating from the cheerleaders.
When Arabic music begins to play at an Arabic-style restaurant, men are expecting to see a belly dancer. The belly dancer appears but it’s a guy. The chubby guy moves seductively. People seem to enjoy it when suddenly they begin to smell an awful perspiration odour emanating.
Creative Director: Hernan Ponce/Pablo Batlle/Hernan Jauregui
Copywriter: Analia Rios
Art Director: Ricardo Armentano
Production Company: Ladoblea, Buenos Aires
Director: Armando Bo
Year: 2004

New Rexona Sensitive – REFEREE
Supporters are really furious with the referee as he doesn’t caution the players for their infractions in a soccer game with the red card. He makes signs to them to continue with the game without raising the arms because his armpits are irritated.
Creative Director: Hernan Ponce/Hernan Jauregui/Pablo Batlle
Copywriter: Mario Crudele
Art Director: Martin Ponce
Production Company: La Doble A, Argentina
Director: Armando Bo
Year: 2004

Rexona for men – SHIRTS
A man sweats very often during the day. To avoid being seen like this he decides to steal shirts and t-shirts of other men who do not sweat. He cannot stop stealing because he cannot stop sweating. Finally, tired of this, he decides to start using the Dry deodorant Rexona.
Creative Director: Hernan Ponce/Rafael D’Alvia/Sebastian Stagno
Copywriter: Matias Corbelle
Art Director: Diego Sanchez
Production Company: Rebolution, Buenos Aires
Director: Armando Bo
Year: 2005
Bronze Lion

Axe Body Spray – NO
The objective is to communicate that Axe’s effect and fragrance lasts 24 hs. A guy meets a girl on the street and asks her to have a coffee with him. She always turns down his proposals but he’ll continue asking her out to other places until he acomplishes the ultimate challenge.
Chief Creative Officer: Hernan Ponce
Creative Director: Rafael D’Alvia/Sebastian Stagno
Copywriter: Analia Rios
Art Director: Ricardo Armentano
Production Company: La Banda Films, Beverly Hills
Director: Josè Pratt
Year: 2005
Bronze Lion

Axe Body Spray – JEREMIAH
In this saga Jeremiah, a regular Brazilian guy who used squeeze for years, was wasting an amount of girls per application. The “City Of Girls Wasted By Jeremiah” is shown, a place inhabited only by gorgeous women and now Jeremiah using Axe Compact is determined to get them back.
Chief Creative Officer: Hernan Ponce
Creative Director: Rafael D’Alvia/Sebastian Stagno/Hernan Jauregui
Copywriter: Analia Rios/Angel Castiglia
Art Director: Ricardo Armentano/Hernan Ibarra/Sebastian Visco
Production Company: Ladoblea, Buenos Aires
Director: Armando Bo
Year: 2005
Bronze Lion

Axe Unlimited Body Spray – AXE ACADEMY CAMPAIGN
A boy is introduced to a series of courses in advanced seduction techniques for pulling a girl



Chief Creative Officer: Hernan Ponce
Creative Director: Rafael D’Alvia/Sebastian Stagno/Hernan Jauregui
Copywriter: Martha Kern
Art Director: Tamara Litovski
Production Company: La Banda Films
Director: Josè Pratt
Year: 2005
Shortlist

Axe Deodorant – SHOWER
Anchored in the seduction territory in which Axe is a leading brand around the world,the TVC shows the life of a guy who perspires excessively; so excessively, in fact, that he can’t seduce the girl he likes. The commercial presents an innovative aesthetic aspect for the brand given by the non-traditional camera use and by the settings in which it takes place. The kind of humor it uses and the way the story is told are also fresh approaches for the brand, which aims at consolidating the product in the minds of consumers.
Chief Creative Officer: Hernan Ponce
Creative Director: Rafael D’Alvia/Sebastian Stagno
Copywriter: Hernan Ponce
Art Director: Facundo Romero/Diego Sanchez
Production Company: CZAR.BE, Brussels
Director: Lionel Goldstein
Year: 2006
Silver Lion

Rexona Teen – GHOST TRAIN
Four teenagers are at an amusement park. They are in a car of a really strange Ghost Train that takes them on a sinister ride. It’s sinister for them as they are going through different situations where girls of that age always have a bad moment. A Dad who picks them up at the disco, a teacher who makes them come up to the blackboard or a little brother who reads their emails. All is really horrific for these girls who keep on screaming terrified during the commercial, until they come out from the ride and the nightmare ends.
Creative Director: Hernan Ponce/Rafael D’Alvia/Sebastian Stagno
Copywriter: Analia Rios
Art Director: Ricardo Armentano
Production Company: Gorgeous, London
Director: Peter Thwaites
Year: 2006

New Rexona Sport Fan – PLOT
The commercial tells the story of some football fans who hide Rexona deodorants from Ronaldinho so he is not able to use it and as a consecuence, he sweats. They steal the deodorant from his hotel bathroom. Ronaldinho notices this and starts a search on the streets of the city that finally ends in the Rexona´s Factory. A great surprise is waiting for him. Instead of deodorants, he finds rabbits. Coming to the end three more football players appear looking for a Rexona: Riquelme, Puyol and Borguetti.
The concept of the commercial is: Players have to sweat. Fans don’t.
Executive Creative Director: Hernan Ponce
Creative Director: Rafael D’Alvia/Sebastian Stagno
Copywriter: Matias Corbelle
Art Director: Diego Sanchez
Production Company: The Gang Films, France
Director: Laurence Dunmore
Year: 2006

New Rexona Men Maximum – REFLECTION
A man applies Rexona to go to work. His reflection behind the mirror is doing the same. There’s a dark world hidden into the mirror where all the human reflections live. All the reflections are running to reach the next mirrors. In the real world, the man drives to work unaware of it. Before a meeting, he goes to the restroom and his reflection gets there 2 seconds before. They both check their dry armpits in the mirror. The protagonist leaves the restroom and his reflection moves into the dark corridor to rest, but he has to start running again!
Executive Creative Director: Hernan Ponce
Creative Director: Rafael D’Alvia/Sebastian Stagno
Copywriter: Matias Corbelle
Art Director: Diego Sanchez
Production Company: The Gang Films/Wasabi, France
Director: Eric Hillebrand
Year: 2006

Axe 3 Fragrance – CRASHERS + CASE HISTORY


Describe the campaign
Axe needed a real product and communication innovation that would take its consumption rates to the next level.
To achieve this, we created the NEW AXE 3: two Axe that could be mixed to get a third fragrance.
To communicate the concept of “mixable fragrances” we came up with a simple, straightforward & 100% Axe media neutral idea: mixable Axe fragrances would give guys mixable women.
The campaign was based on this simple concept, showing guys in every form of media available that it is good to mix, and even better to mix different kinds of gorgeous women.
That’s how the craze of mixing women started.
Describe how the campaign was launched and executed across each channel in the order of implementation.
The first wave of communication established the concept on a large scale through the TV ad. We also used specific billboards that suggested ways for guys to mix girls from real parts of the city near the ad, and gave away leaflets where guys could combine different parts of women.
The second wave of communication was centered on an interactive billboard where guys could vote for their favorite combination using their cellphones or the Axe site.
These women combinations became real and visited radio shows and hot spots in the city to encourage guys to vote for them.
The winning combination was displayed on the billboard.
Give some idea of how successful this campaign was with both client and consumer.
“Crashes” TVC achieved above-average scores in Recognition, Enjoyment and Branding.
The campaign clearly generated new awareness for the brand & achieved huge engagement levels.
“Crashes” has proven to drive consumption to higher levels:
• In Latam, we got a 35% increase in consumption per application rate.
• The consumption in grams increased 50% by using both sprays at the same time and pack-life was reduced 10 days.
• This incremental consumption drove growth: 2% incremental share in Argentina and 10% incremental turnover.
To sum up, we are glad to say that this campaign exceeded our communication and business goals.

Chief Creative Officer: Hernan Ponce
Creative Director: Rafael D’Alvia/Sebastian Stagno
Copywriter: Angel Castiglia/Matias Corbelle
Art Director: Facundo Romero/Diego Sanchez
Production Company: Blink, London
Director: Lynn Fox
Year: 2007
Grand Prix Integrated/Bronze Lion

Impulse for men – HARD TIME FOR ROMANTICISM



The campaign shows typical situations of love films between couples where men are about to do a romantic and important declaration of love and finally it results to be a disappointing declaration for women.
Chief Creative Officer: Hernan Ponce
Creative Director: Rafael D’Alvia/Sebastian Stagno
Copywriter: Analia Rios
Art Director: Ricardo Armentano
Production Company: Rebolition, Buenos Aires
Director: Armando Bo/Lemon
Year: 2007
Silver Lion for the campaign

Axe Deodorant – FISHES
The TVC objective is to communicate the antiperspirant benefit of dryness but within the Axe territory of seduction.
Creative Director: Hernan Ponce/Rafael D’Alvia/Sebastian Stagno
Copywriter: Josè Pereira
Art Director: Pedro Losada
Production Company: Partizan, Los Angeles
Director: Traktor
Year: 2007
Shortlist

Axe Dark Temptation – CHOCOLATE MAN
The commercial starts with a guy in his bathroom spraying the new Axe Dark Temptation. When we see the guy again, we realise that now he has turned into a chocolate man. He goes out and starts meeting gorgeous girls in different situations and they go mad about him!
Chief Creative Officer: Hernan Ponce
Copywriter: Mario Crudele
Art Director: Martin Ponce
Production Company: MJZ, Los Angeles
Director: Tom Kuntz
Music: A sweet touch of love (Allen Toussaint)
Year: 2008
Golden Lion

Axe Deodorant – QUAKE
The commercial starts in a solarium. It is still daytime and we see a lot of people treating themselves to a drink. The place is quite large and has a huge pool. There is a guy standing next to the stairs. When a girl approaches him, we start hearing his heart beat. Then he places his hand on the wall and little by little the whole place starts falling apart. But he stays dry and calm to get the girl thanks to the new Axe Pulse.
Chief Creative Officer: Hernan Ponce
Copywriter: Mario Crudele
Art Director: Martin Ponce
Production Company: Rebolution, Buenos Aires
Director: Armando Bo
Year: 2008
Bronze Lion

Axe Shower Gel – CHURCH

We see a guy of about 18 at his home, taking a shower with a pink soap. He then goes out and we see him driving a truck with a church attached to it around the city trying to marry all the girls he meets but all of them run away from him. He returns home disappointed and, while he is taking a shower, he realises that the women’s soap he is using made him think like a woman.
Creative Director: Hernan Ponce/Rafael D’Alvia/Sebastian Stagno
Copywriter: Josè Pereira
Art Director: Pedro Losada
Production Company: Rebolution, Buenos Aires
Director: Luciano Podcaminsky
Year: 2008
Shortlist
Impulse Deodorant – BETWEEN A ROCK AND A HARD PLACE
The commercial tells the story of a young man who has to choose between the love of a girl and his bachelor’s life with friends. He takes the girl to her home and when he opens the car’s door, a squad of friends appears and sets up an operation to stop him. He has to make a crucial decision: open that door or go back to his friends.
Finally, he opens it. His friends go away, disappointed by his decision. While the couple kisses passionately, it can be read: True love still exists.
Executive Creative Director: Hernan Ponce
Creative Director: Walter Aregger
Creative Director: Hernan Ibarra
Production Company: Gorgeous Enterprise, London
Director: Peter Thwaites
Year: 2008
Shortlist

New Rexona Skin Care – PAPER DOLL CAMPAIGN
A paper doll comes to life and starts choosing what to wear. She tries some dresses on that she doesn’t like so she throws them away. Her underarm skin starts getting damaged, and her armpits rip while she struggles with the paper clothing. She finally chooses one dress and she realised how deteriorated her underarm skin is. Then she finds the solution in a magazine where we can read: “You know your underarm skin can get damaged. We know how to take care of it. New Rexona Skin Care, the line that helps your skin to keep itself healthy”.
The paper doll is running on a record player. First she has a smile on her face and moves her arms with great enthusiasm, but then she starts getting tired, sweating and her underarm skin starts getting red. She tries to stop the record player but she can’t reach the handle and she finally slips and falls.
We see the paper doll sitting on a hair brush, wrapped with a towel. She observes her underarm skin at the mirror and she notice that they are very red. The doll stands up with her arms on her waist and she kicks the razor. The razor doesn’t move but the dolls foot really hurt. “You know that shaving can damage your underarm skin. We know how to take care of it. New Rexona Skin Care, the line that helps your skin to keep itself healthy”
The paper doll is reading a book and protecting herself from the lamp with a paper parasol. She closes the parasol and puts on her glasses. She continues her reading but she feels the heat coming from this lamp and tries to fan some air with her hand. Her cheeks start getting red and so does her underarm skin. Finally the paper doll turns off the light.
Chief Creative Officer: Hernan Ponce
Executive Creative Director: Analia Rios/ Ricardo Armentano
Copywriter: Josè Pereira
Art Director: Pedro Losada
Production Company: Gorgeous Enterprises, London
Director:Peter Thwaites
Year: 2008

Axe Day & Night – SQUARES
The commercial shows us a day in the life of a man that uses Axe Day & Night. From the concept “one is suitable for general audiences, the other one is not”, we see situations of flirting during the day, while using Axe Day, but when we get to the night, the image starts to get pixilated.
Chief Creative Officer: Hernan Ponce
Executive Creative Director: Walter Aregger/ Hernan Ibarra
Copywriter: Analia Rios
Art Director: Ricardo Armentano
Production Company: Rebolution, Buenos Aires
Director: Armando Bo
Year: 2009
Bronze Lion

Axe Shower Gel – SO CUTE
The commercial shows the story of a guy that, after using a pink bar of soap, is confused by little animals for a fairy tale princess. We see animals trying to dress him up as a cute girl. And at the end, the solution to his problem: Axe Shower Gel, the liquid soap with fragrances created for men.
Chief Creative Officer: Hernan Ponce
Executive Creative Director: Walter Aregger/ Hernan Ibarra
Copywriter: Joaquin Cubria
Art Director: Ignacio Ferioli
Production Company: Garlic Film, Madrid
Director: Marcelo Burgos
Year: 2009

Impulse Summer Splash – SEAWEEDS
We are on the deep sea. A young man is feeding some fishes that are swimming near him when a pretty girl goes behind him. He smells her and turns around to follow the smell and sees her leaving. He immediately starts running to a seaweeds store. He grabs a bouquet, gives money to the owner and runs after the girl. He reaches her and gives her the seaweeds. We hear a voice-over saying: If suddenly someone you don´t know gives you seaweeds, this is Impulse Summer Splash, the new water resistant fragrance. She takes the bouquet smiling, and while they are standing close together on the deep sea, the camera cut to the packshot.
Executive Creative Director: Hernan Ponce/Walter Aregger/ Hernan Ibarra
Copywriter: Analia Rios
Art Director: Ricardo Armentano
Production Company: Rebolution, Buenos Aires
Director: Armando Bo
Year: 2009

Axe Deodorant – AXE BODY LANGUAGE CAMPAIGN
The commercial shows us a guy dancing in a clumsy way for two lovely girls sitting in front of him. The girls look at this and, analyzing his body language, run away. Once he sprayed Axe all over his body, he dances exactly as he did before, but this time the girls love the way he moves.
The commercial shows us a guy standing in front of two beautiful girls sunbathing next to a swimming pool. He is doing some weird movements. The girls think his body language means he is missing his mommy and instantly leave him alone. But when he shows up again using Axe all over his body, the girls can’t help seducing him.
The commercial shows us a man who is trying to seduce a girl talking and doing some strange movements as if he ws asking her to scratch him; the girl looks at him and runs away. Eveything is different when he sprays Axe all over his body and the girl jumps into his cowboy arms.
Chief Creative Officer: Hernan Ponce
Creative Director: Walter Aregger/ Hernan Ibarra
Copywriter: Rafael Santamarina
Art Director: Juan Manuel Montero
Production Company: Rebolution, Buenos Aires
Director: Luciano Podcaminsky
Year: 2009

Axe Sharp Focus – PARANOID EYE
The commercial tells us the story of a guy that couldn’t help checking his sweaty armpit every time he met a girl, blowing every chance to seduce them. But with the new Axe Sharp Focus, he finds the solution and starts feeling more confident.
Chief Creative Officer: Hernan Ponce
Executive Creative Director: Hernan Ponce
Copywriter: Joaquin Cubria
Art Director: Bruno Tortolano
Production Company: Pioneer Productions
Director: Traktor
Year: 2009

New Axe Twist – ARMS
This is a story about a guy who tries to seduce a girl, and the special feature is that he is assisted by 2 production line robotic arms that change his look every time the girl starts to get bored keeping it interesting. All thanks to the fact that he uses Axe Twist, the fragrance that changes during the day.
Chief Creative Officer: Hernan Ponce
Creative Director: Walter Aregger/ Hernan Ibarra
Copywriter: Ariel Serkin
Art Director: Hernan Cerdeiro
Production Company: Furlined, Santa Monica
Director: The Perlorian Brothers
Year: 2010
Bronze Lion

Axe Deodorant – DESTINY
Destiny is an inevitable force. It is written that what is meant to be will be. Thus, this piece shows us two soul mates on the day when their paths lead them to what would appear to be an inevitable encounter.
Chief Creative Officer: Hernan Ponce
Executive Creative Director: Walter Aregger/ Hernan Ibarra
Copywriter: Joan Ure
Art Director: Christian Rosli
Production Company: Prettybird, Los Angeles
Director: Paul Hunter
Year: 2010
Bronze Lion

New Axe Play 2010 – SOFAURUS
Three male friends are watching a televised football match sitting on a sofa. The particular aspect is that this sofa is actually the body of one of them, a sort of centaur with a human torso and a sofa body.
As soon as the match finishes, the friends leave and the sofa-man begins to get ready for a moment of seduction. He takes off his shirt, showers, cleans the pillows and sprays his body with deodorant. Finally, we see that he places himself in the bedroom and unfolds a bed which becomes his body. We see that the bed unfolds with two beautiful women on it which had been stored away inside him and they gaze seductively at the sofa- man. At this point we hear: “Because as soon as you stop thinking about football, you start thinking about women again. New Axe Play 2010.”
Chief Creative Officer: Hernan Ponce
Executive Creative Director: Analia Rios/Ricardo Armentano
Copywriter: Juan Pablo Lufrano
Art Director: Norberto Vatrano
Production Company: Rebolution, Buenos Aires
Director: Armando Bo
Year: 2010

New Axe Dry Sensitive – WINGS OF GLORY
The commercial shows, with irony, the rivalry between two men over a woman.
When two very masculine pilots who are taking off from an aircraft carrier using only their arms spread out like wings to fly with, start to compete as they are watched by a sensual female instructor. But the speed and the acrobatics becomes too much for one of them, as a strong discomfort in one of his armpits compels him to scratch and he falls, inevitably, into the water. Demonstrating thus that armpit irritation reduces the power of seduction and the new Axe Dry Sensitive is the answer to this.
Chief Creative Officer: Hernan Ponce
Executive Creative Director: Walter Aregger/ Hernan Ibarra
Copywriter: Juan Pablo Lufrano
Art Director: Norberto Vatrano/Gabriel Huici
Production Company: Pioneer Productions/Park Pictures, Buenos Aires
Director: Benzo Theodore
Year: 2010

Axe Musicstar – LIMO
It’s a classical hip hop video clip in which we see an eccentric rapper singing to the camera surrounded by beautiful women, an action that is interrupted when his groupies start to distance themselves until they surprisingly come upon a young man’s hands putting on Axe Musicstar.
Chief Creative Officer: Hernan Ponce
Executive Creative Director: Analia Rios/Ricardo Armentano
Copywriter: Juan Pablo Lufrano
Art Director: Norberto Vatrano
Production Company: Rebolution, Buenos Aires
Director: Armando Bo
Year: 2010

Impulse New Romantic Fragrance – STARES
Stares, is a clear demonstration of how sometimes a unique attraction can be generated between a man and a woman. A very special connection, one which absolutely nobody, or anything can come between. It starts with a stare, and ends with them together. All of this, thanks to the fragrance of Impulse
Chief Creative Officer: Hernan Ponce
Executive Creative Director: Walter Aregger/ Hernan Ibarra
Creative Director: Analia Rios/Ricardo Armentano
Copywriter: Joan Ure
Art Director: Christian Rosli
Production Company: Pioneer Productions/Park Pictures, Buenos Aires
Director: Lance Acord
Year: 2010

Rexona for men – ZOMBIES
Months before the World Cup begins, football fans begin to suffer from the anxiety of wanting to hear that initial whistle. The story – a parody of typical zombie movies – depicts how football fans become zombies because of the World Cup but, instead of roaming around the streets to the shout of “brain”, they do so to the shout of “football”. The idea is to draw a parallel in the behavior of zombies and of men during World Cup season.
Chief Creative Officer: Hernan Ponce
Executive Creative Director: Walter Aregger/ Hernan Ibarra
Creative Director: Analia Rios/Ricardo Armentano
Copywriter: Joan Ure
Art Director: Christian Rosli
Production Company: Hungry Man, Los Angeles
Director: Brian Buckley
Year: 2010

Axe Ex-Friend Body Spray – ZIPPER/BLANCHET
At a building porch, a girl of 17 years old asks her friend to lift the zipper of her dress. The guy accepts without any problem. At the moment when he is helping her, a huge construction worker appears. They start fighting to raise and low the zipper. Finally the guy gets to lift it up. The construction worker can´t believe it. He looks at him like saying “you are lost, you don´t know what you´re doing” and he gives the guy the New Axe Ex-Friend. The guy applies it under his t-shirt. What you add as a friend, you take away as a man. Finally the girl lows down the zipper and looks at him like inviting him to her house. We see the pack over a table, and the construction worker appears behind. New Axe ExFriend. Fewer friends, more women.
We are on a beach and we see a group of boys and girls sitting around a fire, one of the girls falls asleep on one of the guy’s legs. While the guy covers her with a blanket, a huge fisherman appears. From now on we see how the guy and the fisherman start fighting removing and putting the blanket. Finally the guy gets to cover her. The fisherman completely disappointed with the guy´s attitude, hits him a little in his head and then gives him the New Axe ExFriend. The guy applies it under his t-shirt. What you add as a friend, you take away as a man. Finally we see the fisherman moving away. He makes a move with his arm making the blanket blows off the frame. The girl wakes up for a few seconds, and grabs stronger the guy´s leg. We see the Pack on a trunk, and the fisherman appears behind. New Axe ExFriend. Fewer friends, more women.
Chief Creative Officer: Hernan Ponce
Executive Creative Director: Analia Rios/Ricardo Armentano/Joaquin Cubria
Copywriter: Ezequiuel Soules
Art Director: Martin Insua
Production Company: Epoch Film, USA
Director: Matt Aselton
Year: 2011
Shortlist

Impulse Glamour – INEVITABILITY
When a woman uses Impulse, everything is possible. Even the most casual encounter of the world, can turn into the beginning of an amazing story; something unique, magical and inevitable.
Chief Creative Officer: Hernan Ponce
Executive Creative Director: Walter Aregger/ Hernan Ibarra
Creative Director: Juan Manuel Montero/Rafael Santamarina
Copywriter: Mario Crudele
Art Director: Facundo Romero
Production Company: MJZ Los Angeles
Director: Dante Ariola
Year: 2011

New Rexona Men Body Spray – RABBIT/SNAIL/SHEEP
We see a guy around 25 years old who is about to apply the New Rexona Men Bodyspray under one of his arms. A male voice in off interrupts him and explains – first – how he should use it properly and, then, how long it lasts. The way he explains how long it lasts is by showing a rabbit solving an equation. Since this is not enough, the equation becomes even more complex. since this is not enough either, the rabbit has his eyes covered. OK. NOW you can see how much this new fragrance really lasts. New Rexona Men Bodyspray. At the end of the day you smell as good as in the beginning.
We see a guy around 25 years old who is about to apply the New Rexona Men Bodyspray under one of his arms. A male voice in off interrupts him and explains – first – how he should use it properly and, then, how long it lasts. The way he explains how long it lasts is by showing a snail that is moving from point “A” to point “B”. Since this is not enough, a motorhome/ trailer appears and is attached to the back of the snail. OK, NOW you can see how much this new fragrance really lasts. New Rexona Men Bodyspray. At the end of the day you smell as good as in the beginning.
We see a guy around 25 years old who is about to apply the New Rexona Men Bodyspray under one of his arms. A male voice in off interrupts him and explains – first – how he should use it properly and, then, how long it lasts. The way he explains how long it lasts is by showing a farmer shearing a sheep. Since this is not enough, he changes the blade shear by a small pair of scissors. Since this is not enough, a bush moves and a much bigger sheep appears. OK, NOW you can see how much this new fragrance really lasts. New Rexona Men Bodyspray. At the end of the day you smell as good as in the beginning.
Chief Creative Officer: Hernan Ponce
Executive Creative Director: Analia Rios/Ricardo Armentano/Joaquin Cubria
Copywriter: Ezequiuel Soules
Art Director: Martin Insua
Production Company: Nunchaku Cine, Buenos Aires
Director: Nicolas Kasakoff
Year: 2011

New Rexona Men Sensitive – SENTIVE ARMPITS
A tough lumberjack is chopping down a tree. As he rearranges his cap, we notice at the same time he does that his underarm begins to song a sweet song. The corny melody is really annoying him. At this point, we see different cliché images of rough and tough men all undergoing the same situation. Finally, one of them applies the New Rexona Men Sensitive and succeeds in shutting up the underarm voice. A male voice in off says: New Rexona Men Sensitive. Even the most insensitive guy can have sensitive underarms.
Chief Creative Officer: Hernan Ponce
Executive Creative Director: Walter Aregger/ Hernan Ibarra
Creative Director: Analia Rios/Ricardo Armentano/Joaquin Cubria
Copywriter: Joan Pablo Lufrano
Art Director: Norberto Vatrano/Gabriel Huici
Production Company: Hangry Man, New York
Director: Bryan Buckley
Year: 2011
Shortlist

Axe Full Controll – PREMATURE PERSPIRATION CAMPAIGN
Premature perspiration is a disorder that affects millions of guys. To help them overcome this difficult problem, we develop Axe Full Control. We created a TV campaign to let everyone know that the problem that embarrassed them, now has a solution.




Chief Creative Officer: Hernan Ponce
Executive Creative Director: Analia Rios, Ricardo Armentano, Joaquin Cubria
Creative Director: Juan Manuel Montero, Rafael Santamarina
Art Director: Juan Manuel Montero
Copywriter: Rafael Santamarina
Production Company: Primo
Director: Nico, Martin
Year: 2011
Gold Lion for the campaign

Axe Deodorant 2012 Limited Edition – Noah’s Ark

Executive Creative Director: Ricardo Armentano/Analia Rios/Joaquin Cubria/Hernan Ponce
Creative Director: Juan Pablo Lufrano
Art Director: Juan Pablo Curioni
Copywriter: Alejandro Blanc
Production Company: Park Pictures/Pioneer Productions
Director: 300ml


Norte Beer – It’s Good To Have a Friends




Beer means friendship, and this campaing presents in a funny way the different kind of friends we all have.

Agency: Del Campo Nazca Saatchi & Saatchi
General Creative Directors: Maxi Itzkoff & Mariano Serkin
Creative Director: Javier Campopiano
Creatives: Juan Pedro Porcaro, Santiago Galibert & Juampi Lufrano.
Production Company: Primo Buenos Aires
Directors: Felipe & Pancho
Director Of Photography: Leandro Filloy
Music: Supercharango


Sony Playstation – Victor

Advertising Agency: Del Campo Nazca Saatchi & Saatchi
Execuitve Creative Directors: Maxi Itzkoff, Mariano Serkin
Creative Director: Joaquin Espagnol, Miguel Usandivaras
Production Company: Garlic
Director: Marcelo Burgos
Post Production Company: Serena
Sound Company: Sonomedia
Song: ”Young at heart” by Frank Sinatra


Arnet Broadband – Todos por un pelo







Arnet and Santo collected 500,000 hairs! The solidarity of the Argentine society rescued a bald head.
Arnet Broadbands advertising campaign introduces Juan Manuel Fraga, a man who enjoyed having long hair throughout his adolescence but today suffers the torment of being bald. Appealing to the peoples solidarity, Fraga tells us about the deal he made with Arnet by which, for every new customer to signed up in November, he would get one hair implanted onto his head.
The six-spot strong campaign was launched on November 1st and developed over the whole month. It also supported billboards and two internet sites: Fragas blog and the made up hair recovery Canadian clinics site. Fragas blog (www.todosporunpelo.com.ar – which means http://www.everyoneforahair.com) exceeded 500,000 hits. Over 800 bald men sent their pictures to the site, and a tribute video was made to honor all the baldies that made Juan Manual Fragas dream come true. Internet is entertainment. And with this campaign Arnet keeps proving to be form and content of this world.

Advertising Agency: Santo, Buenos Aires
Creative Director: Pablo Minces
Copywriter: Pablo Minches/Matias Ballada de Saint Robert
Art Director: Maximiliano Anselmo/Luis Ghidotti
Production Company: Wasabi Films, Buenos Aires
Director: Diego Kaplam


Andes – Teletransporter

THE SITUATION: Men love going to bars to drink beer with friends.
THE PROBLEM: Girlfriends. They hate it when men go to bars to drink beer with friends.
THE SOLUTION: ANDES TELETRANSPORTER. Soundproof booths placed in the main bars of Mendoza, Argentina. These booths have a sound panel that recreates different environments to get men out of the bar without leaving it.
THE RESULT More happy men at bars, less broken up couples.

Advertising Agency: Del Campo Nazca Saatchi & Saatchi, Buenos Aires

Executive Creative Director: Maxi Itzkoff
Executive Creative Director: Mariano Serkin
Creative Director: Javier Campopiano
Copywriter: Patricio Del Sante
Art Director: Carlos Muller / Bruno Tortolano / Juan Pedro Porcaro
Agency Producer: Adrian Aspani / Camilo Rojas / Patricio Martinez
Production Company: Primo (Primo)
Music Company: Supercharango (Supercharango)
Director: Primo (Primo)


Axe – Ark

Agency:Ponce Buenos Aires

Creative Director:Juan Pablo Lufrano
Art Director:Juan Pablo Curioni
Copywriter:Alejandro Blanc
Production Company:Park Pictures
Production Company:Pioneer Productions
Director:300mlE
Post Production:Pickle Visual Effects & Animation
Sound Track:Animal Music


Norte Beer – The Best Excuse Ever

Cerveza Norte, the Argentina beer brand has won a Gold at the Clio Awards for Integrated advertising campaign, “Le Mejor Excusa Del Mundo” (The Best Excuse In the World). Men from the North of Argentina needed a good excuse to go to the bar to drink beer with their friends. They needed the best excuse ever. For each Norte beer a man drank at the bar, the brand allotted one minute of good deeds. A Norte team was in charge of the work. They put counters in the street with the accrued minutes, and the good deeds could be followed on the Internet.

Advertising Agency: Del Campo Nazca Saatchi & Saatchi, Buenos Aires

Executive Creative Directors: Maxi Itzkoff, Mariano Serkin
Creative Director: Fernando Militerno
Art director: Maxi Borrego
Copywriter: Diego Gueler
Production Company: Primo
Director: Felipe&Pancho
Director of Photography: Leandro Filloy
Postproduction Editor: Mauro Carpinacci
Music: Supercharango


Coca-Cola – The Friendship Machine

Brief:
The Coca-Cola Friendship Machine was born to make all the friends of Latin America celebrate Friend’s Day in a very special way.

Creative Execution:
For everyone to enjoy a Coke with their friends and take advantage of the special 2 for 1 Coke offer, friends had to cooperate with each other to insert the money into the machine slot.
Describe the creative solution to the brief/objective. To enjoy and share the 2 for 1 Coke offer, this 3.5 meter tall vending machine required the direct interaction of the friends with the huge structure.

Results:
Thousands of friends in 7 countries of Latin America interacted directly with Coke’s special vending machine to celebrate Friend’s Day. 800 Cokes were sold in 9 hours. That’s 1075% more sales than with a regular vending machine. Thousands of comments on blogs and social networks around the world. With friendship as the must to make it possible.

Advertising Agency: Ogilvy, Buenos Aires

Executive Creative Director: Gaston Bigio
Head of Art: Jonathan Gurvit
Creative Director: Javier Mentasti
Creative Director: Ignacio Ferioli
Copywriter: Nicolas Vara
Art Director: Ignacio Flotta