BETC Euro RSCG for Canal+ | Never underestimate the power of a great creativity
Posted: October 12, 2011 Filed under: Cannes Lions, Copywriting, France, Press/Outdoor, TV/Film | Tags: action, animated, Baker Smith, Benjamin Sanial, BETC Euro RSCG, black bands, Brokeback Mountain, bronze lion, Canal +, Canal pus, Cannes Lions, car bomb exploding, carlos, closet, David Troquier, Eric Astorgue, Flowchart, France, Fredrik Bond, funny, gold lion, Gregory Ferembach, Harvest, horror, huffing, Jean-Cristophe Royer, Les Graphiquants, Luc Rouzier, Mafia, March of Emperor, Matthijs van Heijningen, Nathalie Dupont, parody, Partizan, paul bearman, Pierre Riess, porn, Press, puffing, radical media, Raphael Halin, Romain Guillon, Santa Monica, silver lion, Stephane Xiberras, The bear, The Glue Society, the inclination, tick, trailer, TV/Film, Versailles, Visigoths, Wanda productions, Wilfrid Brimo, Xavier Gianolli Leave a comment »VISIGOTHS/BLACK BANDS
A spectacular battle scene between two tribes, featuring thousands of warriors. We are on a film set. The take has to be re-shot, which will help us understand why actors are so good at playing dead.
This is a humorous spot revealing that the black bands you often see within the television viewing box are actually created, they are not the filming format which has not been adapted to the televisio
Creative Director: Stephane Xiberras
Copywriter: Marc Rosier
Art Director: Jean Marc Tramoni
Production: Premiere Heure/Harvest, Santa Monica
Director: Baker Smith
Year: 2003
Shortlist
MARCH OF EMPEROR
March of the penguins but with actual emperor’s not emperor penguins.
Creative Director: Stephane Xiberras
Copywriter: Pierre Riess/Luc Rouzier
Art Director: Romain Guillon/Eric Astorgue
Production: @radical.media, New York
Director: Glue Society
Year: 2006
Gold Lion
BROKEBACK MOUNTAIN
A woman tells her friend about a really good film that she had seen on CANAL+ ‘Brokeback Mountain.’ From this description, her friend interprets a totally different, totally absurd, scenario.
Creative Director: Stephane Xiberras
Production Partizan, Paris
Director: Les Elvis
Year: 2007
Shortlist
HOLD UP
Creative Director: Stephane Xiberras
Copywriter: Nathalie Dupont
Art Director: Francis de Ligt
Production Company: Sonny PH
Director: Fredrik Bond
Year: 2008
Shortlist
VERSAILLES/MAFIA
We are taken back in time to a period film set in the Chateau de Versailles where the characters are all bizarrely huffing and puffing through their lines. Final scene cuts to a woman jogging, recounting the plot to another woman, and huffing and puffing as she recounts it. The signature reveals “CANAL+ Movies are made to be seen”
We see a stereotypical scene from a mafia movie where all the characters have a strange tick. Final scene cuts to a boy recounting the plot to his friend, constantly flicking his hair as he does so. The signature reveals “CANAL+ Movies are made to be seen”
Creative Director: Stephane Xiberras
Copywriter: Nathalie Dupont
Art Director: Francis De Ligt
Production Company: Irene, Paris
Director: Xavier Gianolli
Year: 2009
Shortlist
CLOSET
Canal+ launched its new ‘Original Creativity’ campaign in September 2009. The objective highlight to Canal+’s showcase of original programming, consisting of series, documentaries and fictions, created exclusively by and for Canal+, scripted by prestigious writers such as Olivier Marchal and Jean- Hugues Anglade. To launch this new campaign, we produced THE CLOSET. The film unites quality, humour, originality and a touch of impertinence inherent to the brand’s communications: ‘Never underestimate the power of a great story’.
Creative Director: Stephane Xiberras
Copywriter: Jean-Cristophe Royer
Art Director: Eric Astorgue
Production Company: Soixan7e Quin5e, Paris
Director: Matthijs van Heijningen
Year: 2010
Gold Lion and 2 Bronze Lions
THE INCLINATION (IPHONE)
The agency created a campaign that fits in with the advertising success story of Canal+: diving into the world of TV programmes with the now classic disrupting phenomenon, played out here through the characteristic functionalities of the iPhone. In the TV ad, it is the iPhoneʼs trademark tipping to the side into landscape format that completely disrupts the romantic scene of a great Hollywood film. A couple are about to kiss, when suddenly the entire set falls over to one side.
Creative Director: Stephane Xiberras
Copywriter: Benjamin Sanial
Art Director: Raphael Halin
Production Company: Moonwalk Film, Paris
Director: The Glue Society
Year: 2011
Shortlist
CARLOS
The trailer begins with a car bomb exploding. As the clip goes backwards we discover that the scene takes place in the middle of a tranquil Paris. Ending with a characteristic “Tick Tock” sound the trailer is designed to intrigue the viewer to watch the series and find out more about the character behind the bomb – Carlos – the terrorist who threatened the world. We wanted to pitch the right tone, a suitably sober approach across all media, to avoid controversy and to avoid falling into the trap of eulogising a character that is, after all, a murderer.
Creative Director: Stephane Xiberras
Copywriter: Charles Lefort
Art Director: Viken Guzel
Production Company: Wanda, Paris
Director: Wilfrid Brimo
Year: 2011
Bronze Lion
FLOWCHART CAMPAIGN: ACTION/ANIMATED/HORROR/PORN/SHORT FILM
Learn how to deal with tight budgets, hung over cameramen, actors not showing up and grumpy directors. TV Channel, Canal+ supports those who make movies simply because making a movie isn’t easy.





Executive Creative Director: Stéphane Xiberras
Creative Director: Olivier Apers
Art Directors / Copywriters: Gregory Ferembach, David Troquier
Illustrator: Les Graphiquants
Year: 2011
Silver Lion for the Campaign
THE BEAR

Canal+ has always been committed to cinema. It is more than a mere broad- caster. It has always sought to go the extra mile for its subscribers and portray the film industry as no one else has done: emphasising the diversity of the genres, deciphering current and future trends, empowering actors and directors, and in general, transmitting the passion of all those who work in the film industry to its subscribers.
Thanks to its varied and cutting-edge program- ming – from blockbus- ters to art films. Thanks to the unique, quality insight that it provides into what goes on in front and behind the camera. Thanks to the unique ties that it maintains with the film industry (Studio CANAL, partnerships, financing, Cannes Festival, the César awards, etc.).
Canal+ and BETC have now come up with a film, The Bear, to remind audiences of the channel’s continuing commitment: to transmit the passion of film- making to its subscribers.
The more you watch Canal+, the more you love cinema.
To make this film, BETC chose to work with Matthjis van Heijningen, who also directed The Closet, which was the most awarded film in 2010 (The Gunn Report).
The tone remains unique, enhanced by the use of 3D to make the bear as expressive as possible. The same creative team, which worked on The Closet, Éric Astorgue and Jean-Christophe Royer, under the supe vision of President and Chief Creative Officer of BETC, Stéphane Xiberras, once again contribute to the distinguishing tone that is so familiar about the ma- jor advertising campaigns of Canal+.
Global Creative Director: Stéphane Xiberras
Art Director: Eric Astorgue, Julien Schmitt
Copywriter: Jean-Christophe Royer
Production Company: Soixante Quinze
Director: Matthijs Van Heijningen
Year: 2011
Volkswagen Fox/Short but Fun – Complete Case History
Posted: July 27, 2011 Filed under: Animation, Cannes Lions, Car, Case History, Germany, TV/Film | Tags: 30 seconds, alien, Angry Alien Productions, Animation, Bunny, Cannes Lions, Car, Case History, Christian Brenner, complete, DDB, Eric Schoeffler, funny, Germany, jaws, Jennifer Shinan, pulp fiction, rocky, shining, short but fun, silver lion, the exorcist, Tim Jacobs, Titanic, TV/Film, volkswagen fox Leave a comment »

A robbery. A burger. A dance contest. An overdose. A shot in the head. A robbery. Watch Hollywood’s legendary blockbuster “Pulp Fiction” in 30 seconds. Short and fun. Just like the VW Fox.
A ship, a man, a woman. Ship sinks. Man dead. Woman alive. Watch Hollywood’s legendary blockbuster “Titanic” in 30 seconds. Short and fun. Just like the VW Fox.
Vacant hotel. Lonesome family, sick father. Psychic power. Bloody ending. Watch Hollywood’s legendary blockbuster “Shining” in 30 seconds. Short and fun. Just like the VW Fox.
A great white shark. Lots of dead people. A bunch of fearless men. A dead shark. Watch Hollywood’s legendary blockbuster “Jaws” in 30 seconds. Short and fun. Just like the VW Fox.
An obsessed girl. A priest. An expulsion. A dead priest. Watch Hollywood’s legendary blockbuster “The Exorcist” in 30 seconds. Short and fun. Just like the VW Fox.
A space ship. An alien. A nightmare. One survivor.
Watch Hollywood’s legendary blockbuster “Alien” in 30 seconds. Short and fun. Just like the VW Fox.
A princess. A dark lord. A Jedi. A death-star. A battle. A happy end. Watch Hollywood’s legendary blockbuster “Starwars” in 30 seconds. Short and fun. Just like the VW Fox.

CASE HISTORY
Question: What do one German mini-car, six Hollywood blockbusters and a fast-talking cast of cartoon bunnies have in common? Answer: They all figured prominently in a wildly original and successful TV advertising campaign that last year earned a Gold World Medal in the International Awards Group’s 2006 Advertising and Marketing Effectiveness (AME) Awards.
The mini-car in question is the Volkswagen Fox, a sporty compact car aimed at youthful, first-time car buyers. The ad campaign, created for Volkswagen AG by DDB Düsseldorf and built around the tagline “Short but Fun,” featured 30-second, animated versions of six international film hits, including Titanic, Jaws and Pulp Fiction. And the bunnies? They took the place of the films’ human characters, adding an element of the outrageously hip to the spots that captivated German audiences during the campaign’s brief, four-day run.
The AME Awards committee, comprised of a multi-cultural and international cross-section of top marketing executives, recognizes integrated marketing campaigns that are fresh, creative and above all, successful. Campaigns that demonstrate innovative problem solving, and that achieve specific business goals using well-crafted concepts, inspired marketing strategies and an effective combination of traditional and/or alternative media tactics.
Volkswagen’s “Short but Fun” campaign met all these criteria, achieving extraordinary, measurable results for the German car manufacturer that exceeded its campaign objectives and proved it could capture an audience of very critical media users on a very tight production and media budget.
A Clear Objective
Volkswagen introduced the Fox in the spring of 2005 into the price-driven mini-car segment. Despite Volkswagen’s premium image and the Fox being slightly higher priced than the competition, it soon became the market leader.
The launch campaign emphasized the idea that in opting for economy, buyers would not have to compromise quality and reliability. This notion appealed to buyers at all levels, however the next phase of communication would need to sharpen the Fox’s profile among its main target audience: youthful, first time car buyers between the ages of 18-25.
A Moving Target Audience
While highly desirable, this group is the hardest to reach through traditional advertising methods. They have grown up being bombarded by messaging from multiple communication channels and have a very short attention span. If content does not grab them immediately, they turn elsewhere. DDB faced a formidable challenge in coming up with a strategy to capture their attention and motivate them to action.
Inspired Creative Strategy
“We developed a very creative positioning for the VW Fox: short but fun,” said DDB’s Luis Ramirez. That’s the message we wanted to communicate: a small car that is fun to drive and does not cost a fortune. The ideal car for young people.”
The ‘Short but fun” positioning also was developed to differentiate the Fox from its competitors’ cliché lifestyle advertising, which implies that one need only drive a certain car to be more active, attractive and popular. Rather, the ‘Short but fun” messaging conveyed that driving a Fox provides a concentrated, intense form of fun that doesn’t depend on others’ approval; the type of enjoyment that young, upwardly mobile people seek.
In order to illustrate this concept, the agency teamed with artist Jennifer Shiman, whose 30-second, animated versions of cinema classics – starring floppy-eared versions of Hollywood’s A-list – were sure to stop young, media-savvy consumers in their tracks.
“To get this target group excited about the Fox, we created a funny communication platform: http://www.shortbutfun.com,” said Ramirez. “There, site visitors could find a variety of short and fun content, including short films. So we were looking for endlessly long films, told in a very short time. When we discovered the movies of Jennifer Shiman on the Internet, we realized that they perfectly matched our positioning and had to part of our platform. We contacted her and discussed a potential cooperation. She was very excited to work with us. We had to animate and cut the films created by Jennifer so that they matched with the already shot Fox ending. The result: six crazy films, loved by everybody.”
An interesting note: though the commercials appeared only in Germany, they were run in English, in order to speak pointedly to the young target audience.
Innovative Media Strategy
In order to keep media costs down, DDB decided to air the commercials for only four days and make the Internet the main communication channel. This was a risky decision, however the concepts and creative were so strong that DDB felt that viewers would flock to the Fox’s microsite to see more. To ensure that the campaign reached the maximum number of desired audience members, the agency chose a very targeted media strategy, running the commercials on music channels such as MTV, and choosing weekend spots during entertainment shows rather than mid-week spots between shows.
Once on the “Short but fun” web site, viewers could watch all the commercials as movie streams. In order to engage the viewers further, they were asked to rate each commercial. In addition, a banner ad with a link to the Fox product web page was prominently positioned on the home page so that users could learn more about the Fox.
Dazzling Results
The primary, direct communication objective of the “Short but fun” campaign was to generate 20,000 visits to the shortbutfun.com homepage. Within only four days, over 31,000 visits were counted, exceeding the original goal by 56 percent.
The agency also projected the campaign would generate 2,000 email addresses and increase traffic to the Fox product web page by 10 percent. After four days, over 8,000 users provided their addresses in order to receive more information, and the number of visitors to the web page increased by 37 percent.
Further, qualitative research indicated high recall and positive reactions among viewers, demonstrating that the campaign did indeed achieve its objective of raising the Fox’s profile among young, first time car buyers.
Advertising Agency: DDB Dusseldorf
Creative Director: Jennifer Shinan/Eric Schoeffler
Copywriter: Tim Jacobs
Art Director: Jennifer Shiman/Christian Brenner
Production Company: Angry Alien Productions, Los Angeles
Director: Jennifer Shinan
Mini Christmas Box
Posted: July 22, 2011 Filed under: Ambient, Cannes Lions, Car, Case History, Press/Outdoor, The Nederlands | Tags: 99 euro, Ambient, Amsterdam, box, brand experience, Cannes Lions, Case History, christmas box, Christmas trees, Cooper, december, Guerilla, JWT, Martin Van Der Werf, Mini, Outdoor, present, rubbish bags, silver lion, Thijs De Boer, Thom Van Rijckevorsel, Thomas Reinold, trash, Ubachswibrun Leave a comment »2009 was the year of MINI’s “99 euro” campaign. MINI was looking for a closing offensive within this campaign for the month of December. The goal was to convey the MINI brand experience in combination with the low price. We used the familiar day-after-Christmas street scene: rubbish bags, Christmas trees, and the cardboard boxes our presents came in. A recognisable scene that MINI also makes intriguing. Because all over the city, we see a MINI Box on people’s doorsteps with a big “99 euro” price-tag. This is how we showed that MINI falls under the category of “affordable presents”.
Advertising Agency: Ubachswibrun/JWT, Amsterdam
Creative Director: Thijs De Boer/Martin Van Der Werf
Copywriter: Thomas Reinold
Art Director: Thom Van Rijckevorsel
AXN TV Boxes – The TV boxes that promoted a TV channel
Posted: July 21, 2011 Filed under: Ambient, Brazil, Cannes Lions, Case History, Guerilla, Promotion | Tags: Ambient, Antonio Correa, axn channel, Brazil, Cannes Lions, Case History, Guerilla, Hugo Rodrigues, Kevin Zung, Luis Felipe Figueiredo, printing box, Promotion, Publicis, silver lion, the tv boxes that promoted a tv channel, tv boxes, TV series Leave a comment »The brief:
AXN is a TV channel famous for its TV series. Our task was to promote these series in order to get new spectators for the channel.
Describe the promotion:
When people buy a new TV, all they can think about is watching it. We took advantage of this opportune moment to announce the series. In a partnership with a leading TV brand, we printed their own boxes with the series screenshots and schedule, suggesting consumers how to best enjoy their new TV. The boxes carried our communication to stores all over the country, impacting both consumers at POPs and at home.
Results:
AXN had no cost at all to implement the idea. The printing and shipping were handled by the TV manufacturer, as they were used to doing. In exchange, AXN paid them back with empty advertising slots. In one month, the boxes reached over 300,000 people. In the same period, AXN register a 12% increase in its ratings, such a good result the client is now extending the project to other TV brands. In 2010, our national TV market sold over 10 million TVs – a number that has been growing bigger and bigger. We got a ride on that huge demand to speak to spectators in a perfect moment to get them to watch the series.
Advertising Agency: Publicis Brazil
Executive Creative Director: Hugo Rodrigues
Creative Director: Kevin Zung
Copywriter: Luis Felipe Figueiredo
Art Director: Antonio Correa
10 Best Japanese Commercials
Posted: July 20, 2011 Filed under: Alcoholic Drinks, Cannes Lions, Japan, Legendary, TV/Film | Tags: 10 best commercials, Animation, beauty bowling, big test, bronze lion, Cannes Lions, carre de chocolat, Champagne Nicolas Feullatte, cup noodles, Dentsu, funny, giant squid, gold lion, grand prix, Hakuhodo, Hideyuki Tanno, Hiroshi Sasaki, Hiroyo Kanehako, humanity, hungry?, husky girls, Japan, jinomoto Stadium, Jun Kawanishi, Katsunori Tsuyama, Kuzohiro Suda, long distance, mammoth, moa, nike music shoe, nissin, non blinking woman, Panasonic Oxyride Battery, primitives, Quetzalcoatlus, sagami robber, Satoru Yokoyama, Secam Home Security, silver lion, stink, Susumu Miyazaki, toast men, Tohokushinsha Film Corporation, Tonomi Maeda, Toshikazu Ieda, toyota, TV/Film, Unitatherium, Wieden+Kennedy, Yuya Furukama Leave a comment »1 – Sagami Robber Industries – LONG DISTANCE
Publicising the product benefits of Sagami Original, the world’s thinnest condom at just 0.02 mm. By communicating a “love” theme, we were able to build an aimiable brand image that differed from other competitors. We used a real long distance couple from the entries received and asked them to run a 1000 km marathon.
The goal is for the two to embrace. When they do embrace, the distance between them, that began at 1,000,000,000 mm is now 0 mm..”.. and yet love needs distance”, is inserted, and the distance is pushed back to 0.02 mm. Thus the benefit of the world thinnest condom.
Advertising Agency: GT, Tokyo
Executive Creative Director: Takahisa Mitsumori
Copywriter: Naoki Ito
Art Director: Naoki Ito
Production Company: Rock & Roll, Tokyo
Director: Kan Equchi
Year: 2009
Gold Lion
2 – Nissin Cup Noodles – HUNGRY? Campaign
MOA
A tribe of primitive men in search of food chase a Moa bird. It leads them to the edge of a cliff where the Moa jumps into the air and the men fall over the precipice.
SYNTHETOCERAS
A tribe of primitive men in search of food chase a Synthetoceras into a hole. It repeatedly pops its head up in a different hole, thus exhausting its pursuers.
QUETZALCOATLUS
The primitive men pretend to be Quetzalcoatlus babies and beg for food, but once again they fail.
MAMMOTH
UNITATHERIUM
The primitive men are all over the Unitatherium, like bees on a honeycomb. Will they win at last? Not this time.
GIANT WARTDOG
GIANT SQUID
FISHING
In which a well-known prehistoric family go fishing. Father is let down over a cliff’s edge on a baitless hook … Hungry? Try Nissin Seafood Cup Noodles.
HARVEST
In which our prehistoric family try to get some fruit by beating a tree with a club. Fruit falls down. So does a sabre-toothed tiger … Hungry? Try Nissin Cup Noodles.
SNEAKING THIEF
In which the father of our prehistoric family spies some meat by the sleeping sabre-toothed tiger. But as he tries to grab it, the tiger awakes … Hungry? Try Nissin Cup Noodles.
Advertising Agency: Hakuhodo, Japan
Creative Director: Susumu Miyazaki
Copywriter: Tonomi Maeda
Art Director: Kuzohiro Suda
Production Company: Tohokushinsha Film Corporation
Director: Shinya Nakajima
Year: 1993, 1994, 1995, 1996
Grand Prix/Gold Lion/Silver Lion/Bronze Lion
3 – Morinaga & Co. Carrè de Chocolat - NON-BLINKING WOMAN
We made this commercial to show the appeal of “Carre-de-chocolat”, meltingly velvety authentic chocolate, particularly to married women in their 30s. The concept behind the product is that it can be enjoyed as part of relaxing moments in between their busy household work. The ad was very successful and “Carre-de-chocolat” has become a main brand in the chocolate category, even though it was a generic product.
Advertising Agency: Dentsu, Tokyo
Creative Director: Yoshiro Sato
Copywriter: Makoto Shinohara/Tsunao Arita
Production Company: Mothers, Tokyo
Director: Jun Kawanishi
Year: 2008
Bronze Lion
4 - Toyota – HUMANITY
The film takes the form of a simple flowing narrative drive of a Toyota car through an urban/suburban environment. Whilst the film takes an elegant and traditional filmic approach in its portrayal of the car and its surroundings, various details and features of the Toyota range cars are depicted with a more bizarre twist. Instead of seeing the exact technical nature of the design features of the car, each item is depicted in a much more personal way using human “experts” to represent the function on show.
Advertising Agency: Hakuhodo, Tokyo
Creative Director: Hideyuki Tanno/Tetsuya Tokimatsu/Masahiko Ishii
Copywriter: Tetsuya Tokimatsu
Art Director: Hideyuki Tanno
Production Company: Stink, London
Director: Ne-o
Year: 2006
Silver Lion
5 – Champagne Nicolas Feullatte – TOAST MEN
In this commercial for Champagne Nicolas Feuillatte, scientists search for stronger glasses with which to give toasts. On behalf of Nihon Shurui Hanbai, we wanted to say to everyone, “many cheers!”
Advertising Agency: Dentsu, Tokyo
Creative Director: Yoshimitsu Sawamoto
Copywriter: Mayu Taguchi/Sohei Okano/Yuriko Taki
Art Director: Hideyuki Tanno
Production Company: Dentsu Creative X, Tokyo
Director: Jun Kawanishi
Year: 2011
Bronze Lion
6 – Nike – NIKE MUSIC SHOE
Nike launched NIKE FREE RUN+, the new addition to the NIKE FREE footwear line in late March 2010. The main communications campaign conveyed the new model’s incredible flexibility with the tagline “Free like feet want to be”. Nike Japan further wanted to develop an idea that creates buzz about the shoe’s flexibility and NIKE+ compatibility. The idea was the NIKE MUSIC SHOE. Why not make a real musical instrument utilising the shoe’s unique bending features and create a soundtrack with it? The music performance was commissioned to breakbeats unit HIFANA, who collaborated in the creation of the instruments and also wrote the song.
Advertising Agency: Wieden+Kennedy, Tokyo
Creative Director: Frank Hahn/Naoki Ito
Copywriter: Hiroshi Kuyama/Takayuki Rokutan
Art Director: Shingo Ohno/Naoki Ga
Production Company: Taiyo Kikaku, Tokyo
Director: Kosai Sekine
Year: 2010
Bronze Lion
7 – Secam Home Security – THE BIG TEST
SECOM Home Security Service offers various individualised services, and closely watches over the safety and security of their customers 24 hours a day, 365 days a year. In this commercial, we showed the importance of having a security system by highlighting the fact that not everyone can resist the temptations right in front of them.
Advertising Agency: Dentsu, Tokyo
Creative Director: Hiroshi Sasaki
Copywriter: Yoshimitsu Sawamoto
Art Director: Naoki Ito
Production Company: Geek Picture, Tokyo
Director: Akira Nagai
Year: 2008
Silver Lion
8 – Panasonic Oxyride Battery – MANNED FLIGHT
Powering a plain with household batteries.
Advertising Agency: Hakuhodo, Tokyo
Creative Director: Katsunori Tsuyama/Satoru Yokoyama/Toshikazu Ieda
Copywriter: Toshiya Inoue/Kan Ishii/Kosuke Masuda
Production Company: Hat, Tokyo
Director: Kaoru Yamaguchi
Year: 2007
Bronze Lion
9 – Ajinomoto Stadium – HUSKY GIRLS
A young man has moved to a new town. He finds all the women there very beautiful, but their voices are hideously hoarse from cheering.
Advertising Agency: Dentsu, Tokyo
Creative Director: Yuya Furukama
Copywriter: Hiroyo Kanehako
Art Director: Hiroyo Kanehako
Production Company: Dentsu TEC, Tokyo
Director: Jun Kawanishi
Year: 2005
Silver Lion
10 – Esthe Wam Hair Removal – BEAUTY BOWLING
For women, being beautiful is about keeping challenging themselves. This ad shows the tragedy of a woman at a beauty championship who failed to take care of herself. It expresses how one single hair can divide the winner and the loser by using the game of bowling by communicating that their body would be perfect with Esthe WAM because they offer professional care during and after the treatment.
Advertising Agency: Dentsu, Tokyo
Creative Director: Yuya Furukawa
Copywriter: Moto Takagi
Art Director: Masahide Yoshimi
Production Company: Tohokushinsha Film Corporation, Tokyo
Director: Masahiro Takata
Year: 2005
Bronze Lion


















