Today, Faceboook announced that it had reached its billion-user milestone, and to celebrate, it has launched a poetic film from its agency of record, Wieden & Kennedy in Portland, Ore.
The film, titled “The Things That Connect Us,” opens with a series of artful, emotional vignettes of people sitting and interacting on chairs — before moving on to other objects and events through which folks come together, such as a doorbell, airplanes, bridges or a basketball game. The point being, that all these things exist, perhaps, to remind us that we’re not alone. It was created by Wieden & Kennedy, Portland, Ore., which Facebook today also unveiled as its global agency of record.
“What we’re trying to articulate is that we as humans exist to connect, and we at Facebook to facilitate and enable that process,” explained Rebecca Van Dyck, a former exec for Apple and Levi’s who joined Facebook as head of consumer marketing in February. “We make the tools and services that allow people to feel human, get together, open up. Even if it’s a small gesture, or a grand notion — we wanted to express that huge range of connectivity and how we interact with each other.”
Although it seems to mark a single moment, it’s a vital component of a branding strategy that’s been a year in the making, one not originally intended to coincide with the social network’s milestone moment.
“This started long before we knew we were going to reach a billion,” said Ms. Van Dyck. “We started thinking about this a year ago and approached Wieden & Kennedy to help us craft a message that articulated our values and who we are. It wasn’t until recently that we realized we were close to reaching 1 billion, and we thought what an amazing way to honor our users, to create this piece for them.”
The film launched this morning globally, with an introduction from founder Mark Zuckberg. Ms. Van Dyck said Facebook will also be using its various ad products, including premium page posts and sponsored stories, for the rollout. “We’ll be able to walk the footsteps of what our advertisers go through,” she said.
Although Wieden & Kennedy had previously worked with Ms. Van Dyck while she was at Levi’s, she said the agency preceded her arrival at Facebook and was brought in by Brand Creative Lead Jessica Sittig when the company started to consider a bigger consumer-facing push.
In developing the idea, Wieden Creative Director Karl Lieberman said the agency spent months meeting with Facebook staffers and getting to know the company. “We tried to figure out what it is that the company’s really interested in,” he said. “There’s a quote by David Kennedy that I really love: ‘Great brands don’t talk about themselves, they talk about what they really love.’ If you follow that blueprint, you’ll realize that Facebook loves things that are social. It finds it interesting and essential that there’s this innate, human desire to connect.”
The film was directed by Alejandro Gonzalez Inarritu of Anonymous Content, who directed the critically acclaimed film “Amores Perros” as well as previous high-profile Wieden projects like Nike’s “Write the Future” and the Emmy-awarded “Best Job” Olympics spot for P&G. The agency chose him for his ability to add emotional depth to an idea that on paper, was “almost academic, anthropological,” said Mr. Lieberman. “We knew we needed Alejandro to take a simple, logical argument and bring a true sense of humanity to it. We didn’t want it to feel critical, as the words are pretty straight, so we wanted him to drop that layer of real human emotion on top of it.”
“One of the things that we were really excited about was that he creates epic pieces of film but he can capture the smallest gesture of intimacy and connections, and that was going to be really important for us to get across in a short amount of time,” Ms. Van Dyck added.
In terms of tone, since this would be Facebook’s first major marketing message, “Facebook wanted to speak in a significant, but humble way,” said Mr. Lieberman. “We thought that starting off with chairs really did that. We don’t think about chairs a lot, but you can if you want. You can spend $5 on a chair, or $5,000. They could be incredibly ordinary, or incredibly sophisticated. We thought it was a humble but interesting way for Facebook to start talking about itself.”
Continuing in the humble vein, the ad makes no mention of the billion-user landmark. “We wanted to use 1 billion as the platform and the moment in time, but we didn’t want to turn the message to be back about us in any way,” said Ms. Van Dyck. “We like the idea of using the context of the moment but we wanted the piece to be thoughtful and to be about our users.”
Going forward, Ms. Van Dyck couldn’t disclose any specific marketing plans but said the efforts will continue with the help of Wieden. “The best marketing that we have is people coming to Facebook every day connecting with their friends, families, local business, but every once in a while we’re going to want to define for ourselves who we are and share our values,” she said. “You’re seeing that from us today and it’s a conversation we want to continue with our consumers.”
Zuckerberg gave an additional explanation after announcing Facebook had reached 1 billion active users:
“Celebrating a billion people is very special to me,” he said. “It’s a moment to honor the people we serve. For the first time in our history, we’ve made a brand video to express what our place is on this earth. We believe that the need to open up and connect is what makes us human. It’s what brings us together. It’s what brings meaning to our lives. Facebook isn’t the first thing people have made to help us connect. We belong to a rich tradition of people making things that bring us together. Today, we honor this tradition. We honor the humanity of the people we serve. We honor the everyday things people have always made to bring us together: Chairs, doorbells, airplanes, bridges, games. These are all things that connect us. And now Facebook is a part of this tradition of things that connect us too. I hope you enjoy this video as much as we do. Thanks for helping connect a billion people.”
This is the script:
Chairs. Chairs are made so that people can sit down and take a break. Anyone can sit on a chair and, if the chair is large enough, they can sit down together. And tell jokes. Or make up stories. Or just listen.
Chairs are for people. And that is why chairs are like Facebook.
Doorbells. Airplanes. Bridges. These are things people use to get together, so they can open up and connect about ideas and music and other things that people share.
Dance floors. Basketball. A great nation. A great nation is something people build so they can have a place where they belong.
The Universe. It is vast and dark. And it makes us wonder if we are alone. So maybe the reason we make all of these things is to remind us that we are not.
Coca-Cola is putting Aussies front and centre by printing people’s names on millions of bottles (for the first time ever) as a social invitation to find the names of friends and family and encourage them to connect and ‘Share a Coke’ together.
The launch of the new multi-million dollar summer campaign, Share a Coke, will see the country’s 150 most popular names appear on labels this summer, encouraging them to ‘Share a Coke’ with one another.
This is the first time Coca-Cola has made such a major change to its packaging and the first time any brand in Australia has launched this type of campaign. Share a Coke with Matt, Josh, Luke, Rebecca, Nicole, Kate messaging was designed to encourage Aussies to connect with each other this summer. All the executions of the fully integrated ‘Share a Coke’ marketing campaign act as an invitation for consumers to share a bottle or can of Coke with someone they know, or want to know.
Says Lucie Austin, marketing director, Coca-Cola South Pacific: “We are using the power of the first name in a playful and social way to remind people of those in their lives they may have lost touch with or have yet to connect with. We’ve put names on Coca-Cola bottles so consumers will have fun finding their friends and family members’ names and then enjoy sharing a Coke together.”
Coca-Cola Australia is betting on a viral hit for ‘Share a Coke’ via social media. Facebook fans can create their own Coke commercials with pictures from their Facebook albums, share a virtual Coke, and be eligible to win $50,000 to share with their friends. TV screens will be blanketed with 30-second ads promoting the campaign and inviting people to create and share their own Coke commercials on YouTube and Facebook.
“We are using the power of the first name in a playful and social way to remind people of those in their lives they may have lost touch with or have yet to connect with,” said Austin.
Consumers are able to download one of 150 ‘name songs’, produced in partnership with Southern Cross Austereo via the Coca-Cola Australia Facebook page. And come December, the campaign will flip over to “share a Coke with Santa,” with cans rolling out featuring “Rudolph” and other reindeer names. It’s all part of the brand’s Open Happiness campaign, as Coke looks to deliver happiness and a unique brand experience … one personalized can at a time.
Advertising Agency: Ogilvy & Mather Sydney
Digital Agency: Wunderman
PR: One Green Bean
Channel Planning: Naked Communications
Media: IKON Communications
Activation: Urban Communication
Content changes – BILLY stays the same. For 30 years. And because that will also be the case in the future, we developed something special: a Facebook App called BILLYGRAM. Users were able to post animated messages written with BILLY storage racks on each other’s walls. They created content out of racks and saw how BILLY transmitted the message.
The brief: develop an online activity that gets IKEA customers involved and interested in BILLY. The reason: IKEA is celebrating 30st years of BILLY. And that’s a hell of a long time for a piece of furniture.
Content changes – BILLY stays the same. That is why we used BILLY storage systems and their contents to build a BILLY font, i.e. we rearranged books and objects to create letters, punctuation marks and numbers so that people could use BILLY to write messages.
Results: after a week of activity over 20,000 BILLYGRAMS had been posted on Facebook. The App was also a hot topic of conversation amongst IKEA fans.
Advertising Agency: Ogilvy Frankfurt
Executive Creative Director: Michael Kutschinski
Creative Director: Dr. Ulf Schmidt
Creative Director: Uwe Jakob
Art Director: Daniel Schweinzer
Copywriter: Marcus Pfeiffer
Motion Design: Klaus Martin Michaelis